The golden ratio
of island living.

Our entry room, and a complete one: a double bed against a woven headboard, a sofa-bed under the window, and a kitchenette — induction, sink, a shelf of cups. White microcement, olive linen, oak and brass. On the lower ground, the tall doors open onto the garden and the quiet.

Two spaces joined by a quiet pocket door: a bedroom under a full wall of woven rattan with a reading armchair, and a separate sitting room with its own sofa — plus a wardrobe built for four and a kitchenette. A double and a sofa-bed for two children, and the garden just beyond the doors.

Four rooms on the entrance floor. The same grammar as the garden rooms — woven headboard, olive linen, microcement — with a curved, sculpted kitchenette and a walnut niche set over the bed. A sofa-bed, a reading corner, and tall doors to a private balcony over the green. The room most people ask for.

The family room on the entrance floor: two spaces joined by a quiet pocket door — a bedroom under woven rattan with a reading armchair, and a separate sitting room with its own sofa, a wardrobe built for four, and a kitchenette. A double and a sofa-bed for two children, and tall doors to a private balcony.

Four rooms on the top floor, each facing the water. Two rooms rather than one — a separate sitting room with a sofa, a dining table, a corner to work at, and, through its own door, a bedroom framed by a dark-walnut niche. Two bathrooms, a fuller kitchenette, and a clear view to the sea. The stay you settle into rather than pass through.

The largest room at Phi, and a corner one: a bedroom behind a soft divide and a separate sitting room hung with art, opening through tall doors onto a large veranda. Two bathrooms, a full kitchenette, a wingback to read in. A double and a sofa-bed for two — and, from the side balcony, the sea.